• Movie : Daah (2020) | दाह
• Producer : Aniket Rajkumar Badole
• Director : Malhar Ganesh
• Studio : Yugandhar Creations
• Star Cast :
  • Sayali Sanjeev as Disha
  • Girish Oak as Dr.Sane
  • Radhika Vidhyasagar as Mrs.Anagha Sane
  • Suhrud Wardekar as Sameer Bhosale
  • Yatin Karekar as Mr.Bhosale
  • Uma Sardeshmukh as Mrs.Bhosale
  • Kishor Chaugule as Namdev Mama
• Story : Dr.Satish (Atul) Sonone
• Screenplay : Unman Bankar, Kaustubh Sawarkar
• Dialogues : Unman Bankar, Yogesh Gavas, Kaustubh Sawarkar
• Lyrics : Mandar Cholkar, Tejas Ranade
• Sound : Irshad Sheikh
• Sound Design :
• Music : Praful-Swapnil
• Background Music :
• Cinematography (DOP) : Aniket K.
• Editor : Harshad Vaity
• Art Director : Abrar Shaikh
• Costume : Jyoti Kerakar-Bhatkar
• Make-up :
• Presenter :
• Choreography : Subodh R.Aarekar
• Co-Producer :
• Executive Producer : Umesh Shinde
• Visual Promotions :
• Digital Promotions :
• DI Colorist :
• Genre : Family, Drama
• Release Date : 15 Feb 2020

Synopsis :

Daah Marathi Movie Poster/Photos :

Daah Marathi Movie Trailer :

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• Review : Dashkriya (2017)
• Producer : Mrs. Kalpana Vilas Kothari
• Director : Sandeep Bhalchandra Patil
• Star Cast : Manoj Joshi, Dilip Prabhawalkar, Aditi Deshpande, Nandkishor Choughule, Milind Shinde, Milind Phatak, Santosh Mayekar & Uma Sardeshmukh
• Story : Based On Baba Bhand’s Novel ‘Dashakriya’
• Screenplay & Dialogue : Sanjay Krishnaji Patil
• Review By : Abhay Salvi

Dashkriya Marathi Movie Review:

Dashkriya starts off on a highly dramatic ‘Dashkriya’ (10th Day Ritual of an deceased person) scene establishing Manoj Joshi as ‘Keshav Bhat’, an outright villain. Throughout the film no matter what the situations are ‘Keshav Bhat’ has been strictly projected as a villain, also in situations where he clearly classifies as ‘victim’. I agree that such scenes are few, but the point is that this film just doesn’t believe in ‘grey’. It feels to have a preconceived understanding of everything & has ruthlessly sorted the ‘black’ & ‘white’.

Another clear bifurcation is evident in the very next song sequence that follows the ‘dramatic’ opening scene. It’s the usual fun song for kids, alike countless others seen before in other films. There is nothing wrong with the song, but it’s placement itself is so baffling to the audience. It’s like you have to instantly change your state of the mind. And then this same exercise needs to be continued throughout the runtime! It’s like watching two different films at the same time, scene by scene alternatingly! One that follows the opening ‘drama’ & the other that is a ‘slice of life’ comedy! A better story teller could’ve chosen neither of the two & would have preferred a ‘dark satire’ instead!

So is it just the treatment where ‘Dashkriya’ baffles, disappoints? No! The basic story itself is baffling. There are just too many things happening! ‘Paithan’ is the place where this story is set. Most of the men (Milind Shinde, Nandkishor Choughule & Santosh Mayekar) among the important characters are drunkards. A socially relevant subject is included here, that has nothing to do with the main conflict. Now these drunkards are a part of every social, religious activity in the village. They almost appear normal when they are sober. So in a way this makes us feel that everything’s fine with their lives. And hence the whole point of alcoholism becomes weak.

Then what is the main conflict? There are two plots in my observation one is a little boy’s story & another is Keshav Bhat’s story. This little boy ‘Bhanya’ (belonging to a lower caste) skips school & works on the river banks of ‘Paithan’ where tourists come to perform ‘Dashkriya’ for their closed deceased ones. The god men who perform these rituals belong to a specific sub-caste of ‘Kirvant’. Now Bhanya works with them as a apprentice of sort, there’s another weaker ‘Kirvant’ played by Milind Phatak with whom Bhanya has a better connect than with the powerful ‘Keshav Bhat’. Then there’s an elderly righteous man ‘Savkar’ played by Dilip Prabhawalkar. Though ‘Savkar’ has less to do directly throughout the film, he seems to be important only because he is played by Dilip Prabhawalkar, a veteran!

Many tourists that come to ‘Paithan’ are supposedly feeling exploited by ‘Keshav Bhat’. In a cameo Jaywant Wadkar plays a tourist & speaks how these god men are asking too much money. The thing is we never see what actually happened. We just see Wadkar confronting Savkar about it.

Bhanya’s mother is trying her best to make ends meet, her husband (Milind Shinde) does nothing substantial. At first she scolds Bhanya for skipping school but later she seems to be happy & proud about her son who starts earning a better sum working on the river banks! This shift of perspective has never been explained! Meanwhile ‘Keshav Bhat’ & his whole sub-caste where insulted in a social gathering by Savkar. Why? Wasn’t Savkar a righteous man! Even in this situation the background score suggests that ‘Keshav Bhat’ is the baddie!

At the end of the film, bits & pieces of the two stories are hurriedly jointed & the climax is created, a climax which actually is a lot stronger than the whole film. That makes a strong social statement! But by then we are too much exhausted by the proceedings that came before. That statement makes sense to just the climax, not to the whole film. The whole film is a jumble if we try to make interpretations about social messages or statements.

Overall:

Dashkriya is a missed opportunity. Had the film realized that the whole process is as important as the final statement, we could’ve got a more pure film. Dashkriya is polluted by a need to be commercially viable to all audiences, even at that it doesn’t succeed much.

The post Dashkriya Review: An Important Subject Mistreated appeared first on MarathiStars.

Earlier in the year ‘Dashkriya’ Marathi movie received three important National awards Best Screenplay for Sanjay Krishnaji Patil, Best Supporting Actor for Manoj Joshi & Best Feature Film in Marathi. Now the trailer of the film is out. And it definitely lives up to all expectations.

The best part about this trailer is that it is perfectly crafted & timed. It doesn’t reveal anything from the conflict of the film, yet it gives a good idea about the whole atmosphere of the film, the story & its social context.

Sanjay Krishnaji Patil who has previously written a masterpiece like ‘Jogwa’ is back with ‘Dashkriya’ after a long time. This trailer makes us think that this film touches on a sensitive topic about class difference & religious customs & rituals. Actor Manoj Joshi who won a national award for his role in this film looks in top form. The young child actor too looks perfect for the part. It is definitely one of the most important film of this year releasing by the end of the year!

The post Dashkriya Trailer: A Perfectly Crafted Trailer of an Socially Important Film! appeared first on MarathiStars.

• Movie : Dashakriya (2017) | दशक्रिया
• Producer : Mrs. Kalpana Vilas Kothari
• Director : Sandeep Bhalachandra Patil
• Studio : Rangneel Creations
• StarCast :
  • Dilip Prabhavalkar
  • Manoj Joshi
  • Aditi Deshpande
  • Nandkishor Chougule
  • Milind Pathak
  • Uma Sardeshmukh
  • Asha Shelar
  • Santosh Mayekar
  • Pankaj Chemburkar
  • Umesh Mitkari
  • Aarya Adhav
  • Vinayak Ghadigaonkar
  • Anand Karekar
  • Jayvant Wadkar
• Story : Based On Baba Bhand’s Novel ‘Dashakriya’
• Screenplay & Dialogue : Sanjay Krishnaji Patil
• Music : Amitraj
• Lyrics : Sanjay Krishnaji Patil
• Singers : Swapnil Bandokar, Pruthviraj Mali, Kasturi Wavare, Aarti Kelkar, Arohi Mhatre
• Sound Designer : Mahavir Sabnnavar
• Background Score : Milind Joshi
• Cinematography (DOP) : Mahesh Aney
• Editor : Sunil Jadhav
• Art Director : N
• Choreographer : Subhash Nakashe
• Costumes :  Sachin Lovalekar
• Make-Up : Shrikant Desai
• Executive-producer :  Ram Kondu Kondilkar
• Genre :  Comedy
• Censor Ratings : (U/A)
• Release Date : 17/11/2017

Synopsis : After the cremation of the deceased, certain rituals are performed for the next thirteen day, as there is a belief that these rituals lead the deceased to Moksha i.e. salvation from the cycle of rebirths. Immersion of ashes is performed on the third day and the final round of rituals takes place on the tenth day. These rituals are to be performed on the banks of the Ganges, the sacred river. The emotionally vulnerable family of the deceased readily performs the rites as per the instructions of the Kirvant i. e. the section of the Brahmin community who is supposed to lead all the last rites and thereby earn their living. The Kirvants, looked down upon by the rest of the Brahmin community, exploit the emotions of the bereaved family to satiate their greed. The whole exercise is thus commercialized crossing all the limits. ‘ Dashakriya ’ ( The Tenth Day Ritual) profoundly depicts this harsh reality.

While revealing the disturbing reality around the last rites, their commercialization and the emotional exploitation of the bereaved family ‘ Dashakriya ’ focuses on how even the Kirvant kids mindlessly get involved in the business due to extreme poverty.

Dashakriya Marathi Movie Photos, Poster :

Dashkriya Marathi Movie Trailer :

https://www.youtube.com/watch?v=USiUCvqcSDE

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• Review :  Shentimental (2017)
• Producer : Abhay Jahirabadkar, Sameer Patil, Santosh Bodke, Manjusha Bodke
• Director : Sameer Patil.
• Star Cast : Ashok Saraf, Upendra Limaye, Vikas Patil, Pallavi Patil, Suyog Gorhe, Raghubir Yadav, Ramesh Wani, Madhav Abhyankar, Uma Sardeshmukh, Pushkar Shrotri, Rajan Bhise, Vidyadhar Joshi
• Story : Sameer Madhusudan Pati
• Music : Milind Joshi
• Review By : Abhay Salvi

Rating : 4/5

Shentimental Marathi Movie Review :

Defining commercial entertainment isn’t easy. There shouldn’t be a specific ‘formula’ to it. But if we observe the films that are highly successful in India, have something in common. It’s the emotional connect! It need not be an out & out tragedy where the audiences keep shedding tears, but few basic ‘touchy’ instances that do the trick, provided the other aspects are taken care of! In case of Sameer Patil’s ‘Shentimental’ the other aspects include unforced humour, & a new approach towards the world of police! 

Sameer Patil succeeds at the most basic stage of this film, the writing! A smoothly crafted three act structure, where the actual aim was not to give us a crime investigation film, but to investigate the human side of both the police & the criminal. Just as the title suggests, this film is sentimental about both parties. Ashok Saraf’s ‘Prahladrao’ a constable, is definitely the heart of the story, but all other characters are equally important. Upendra Limaye’s ‘Dilip Thakur’, Vikas Patil’s MPSC pass out ‘Subhash Jadhav’ & newcomer Suyog Gorhye’s ‘Manoj Pandey’ (the thief) all of them & ‘Prahladrao’ are equally important in the chain of events that take place. In addition to that Raghubir Yadav makes a delightful cameo as a quintessential ‘Bihari Bad***’.

The first act happens in Mumbai, which introduces us to these police men & women working at Andheri’s D.N. Nagar Police station. There are many insightful ‘inner police jokes’ that are a treat! They should be discovered in the theatre itself! ‘Shentimental’ borrows a bit from ‘Dabbang’ for sure, in terms of the overall approach to its characters. But ‘Shentimental’ doesn’t have a hero, & that very quickly establishes an altogether different path for the film. The second act is the most fun part where we are on a railway journey from Mumbai to Bihar! But throughout the two acts ‘Shentimental’ never loses the emotional grip on the audiences.

The final act is a sheer roller coaster ride! Sameer Patil manages to actually transport us to ‘Bihar’! Only the language of this film remains ‘Marathi’ rest of it makes us forget that we are actually watching a Marathi film. We wish the third act was longer, because somewhere the end is a bit abrupt (though it doesn’t spoil our overall experience in any way). Almost every film that aspires for commercial success in India tries to mix & match humour with emotional drama. But very few of them actually manage to figure out the right blend! That too without interrupting the natural rhythm of the story! ‘Shentimental’ is one of those few Indian films that give a ‘complete’ experience to our audiences.

Ashok Saraf’s comeback has been hugely awaited by his countless fans & all of them will have a ball watching the man still dictate the big screen with the same finesse & control! Yes the energy’s not the same, but it’s understandable & also suits a man who is only two years away from his retirement. The back story of Prahladrao’s character is actually relatable to any working common man who has grown up sons or daughters & is nearing his retirement & not just the police.

There’s a little love story established in the first act between Vikas Patil’s character & Pallavi Patil’s character, that needs a mention. Mainly because it can work as a perfect example of how to treat a sub-track in a story! It’s smartly been connected with the extended point ‘Shentimental’ makes about the condition of police & their hectic life. Even their song ‘Ithech Mandu’ so beautifully represents the same.

Sameer Patil’s ‘Poshter Boyz’ & ‘Poshter Girl’ were good, but in parts! Here he has managed to give Marathi cinema an extremely essential dose of guilt free entertainment that also has few important things to say.

Overall:

‘Shentimental’ is a film that is technically well crafted, emotionally strong & refreshingly funny throughout! Not to forget it makes an essential social commentary about the regional disputes between Bihar & Maharashtra! What more can a Marathi movie fan desire!

The post Shentimental Review: A Fine Blend of Humour, Emotions & Reality! appeared first on MarathiStars.

Not many times we see Marathi films that are set in a different part of India! Sameer Patil directorial, Ashok Saraf starrer ‘Shentimental’ is one of those few films! This trailer introduces us to the conflict of the film really well and makes us excited about the film. This film is set to mark Marathi cinema’s greatest living legend Ashok Mama’s comeback into mainstream Marathi films!

Along with Mama the film also stars Upendra Limaye, Vikas Patil, Pallavi Patil & others. This film has a unique thriller comedy feel to it as the story involves the investigation of a case for which these police team travels to Bihar! Sameer Patil previously gave us unique comedies ‘Poshter Boyz’ & ‘Poshter Girl’. ‘Shentimental’ too has glimpses of his trademark unique style of comedy which is a combination of both slapstick & situational comedy.

‘Shentimental’ is set to release on 28th July all over Maharashtra.

The post Shentimental Trailer: Maharashtra to Bihar! appeared first on MarathiStars.

The music launch event of upcoming Marathi film ‘Shentimental’ starring Ashok Saraf’ was staged in a unique way, where the atmosphere of a police station was created. Not just that many individuals who have been working towards the betterment of the society were felicitated by Maharashtra state’s D.J.S.R.P.F respected sir Sandeep Bishnoi, respected madam Kirantai Diliprao Valse Patil & of course one of Maharashtra’s most loved actor Ashok Saraf!

The list of individuals who were felicitated includes Dr. Rajesh Sinha, Dr. Rajgopal Kalani, Ronny George, Jaywant Wadkar, Medha Manjrekar, Sugandha Lonikar, Nitin Vaidya & Dr. Uday Nirgudkar. ‘Shentimental’ is produced by Abhay Jahirabadkar, Samir Patil, Santosh Bodke & Manjusha Bodke through their banner ‘E.C.M.’ Pictures. Samir Patil who previously directed hits like Poshter Boyz & Poshter Girl has directed this film with similar fun approach to the story about police.

The unique songs of ‘Shentimental’ are penned by lyricists Milind Joshi, Dasu Vaidya, Guru Thakur & are composed by Milind Joshi. Popular singers like Avadhoot Gupte, Bela Shende, Shaan, Nihira Joshi Deshpande & Pavni Deshpande. These songs reflect the routine of police in a fun & heartfelt way.

Don’t forget to watch Ashok Mama’s ‘Shentimental’ in theatres from 28th July!

The post Socially Aware Dignitaries Felicitated at ‘Shentimental’ Movie’s Music Launch! appeared first on MarathiStars.

Over the years the Goa Film Festival has developed a sense of credibility regarding Marathi movies. This year many National award winning movies were lined up for screenings at the festival. Among them was the National award winning Marathi film ‘Dasahkriya‘. 

Written by the ‘Jogawa’ fame writer Sanjay Krishnaji Patil, directed by Sandeep Bhalchandra Patil & produced by Kalpana Vilas Kothari under the banner ‘Rangnil Creations’, this film garnered lots of love at the festival & the screenings of this film were house full!

The film stars Dilip Prabhawalkar, Manoj Joshi, Milind Shinde, Nandkishor Chougule & around 150 more artists with Anand Karekar, Jaywant Wadkar & Kalpana Kothari giving guest appearances.

Along with the successful screenings at this festival & National award ‘Dashkriya’ has also been a part of the internationally prestigious ‘Cannes Film Festival’. This truly is a proud moment for Marathi cinema & the audiences must be looking forward towards its theatrical release!

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The highly awaited teaser trailer of Sameer Patil directorial ‘Shentimental’ was recently posted on social media. In this teaser we are actually invited right into the conflict of the film. And the film truly looks a fun ride. Most importantly Ashok Mama’s character looks fantastic.

The director of this film, Sameer Patil has previously given super hit comedies like ‘Poshter Boyz’ & ‘Poshter Girl’. Apart from Ashok Saraf this teaser also reveals the rest of the starcast of the film, which includes Upendra Limaye, Pallavi Patil, Vikas Patil, Suyog Gorhe, Rajan Bhise, Pushkar Shrotri, Vidyadhar Joshi & popular Hindi actor Raghubir Yadav.

As the teaser reveals this film has an important part of the story that is set in Bihar which brings even more fun to the happenings. For a generation of Marathi film lovers who’ve loved Ashok Mama’s comedy films for years, it’s going to be a fun ride for sure. We know it’s going to be really difficult for us to wait for upcoming Marathi movie ‘Shentimental’ till 28th July, which is the release date of this film.

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• Movie : Shentimental (2017)| शेंटीमेंटल
• Producer : Abhay Jahirabadkar, Sameer Patil, Santosh Bodke, Manjusha Bodke
• Director : Sameer Patil.
• Studio : RRP Corp, Engineers Combined Motion Pictures LLp, 
• StarCast :
  • Ashok Saraf
  • Upendra Limaye
  • Vikas Patil
  • Pallavi Patil
  • Suyog Gorhe
  • Raghubir Yadav
  • Ramesh Wani
  • Madhav Abhyankar
  • Uma Sardeshmukh
  • Pushkar Shrotri
  • Rajan Bhise
  • Vidyadhar Joshi
• Writer : Sameer Madhusudan Pati
• Music : Milind Joshi
• Lyrics : Milind Joshi, Dasu Vaidya, Guru Thakur
• Singers : Avdhoot Gupte, Bela Shende, Shaan, Nihira Joshi Deshpande, Pavani Pandey
• Sound Designer : Vijay Bhope
• Background Score : Mangesh Dhakde
• Cinematography (DOP) :  Mahesh limaye
• Editor : Jayant Jathar
• Art Director : Narendra Rahurikar
• Costumes :  Sachin Kamble
• Make-Up : Vijay Patil
• Associate Producers: Avanika Productions, Yashraj Mukhate
• Executive-producer :  Shankar Dhuri
• VFX : Javvadi Studios
• Visual Promotion : Kiran Kshirsagar
• Genre :  Drama, Comedy
• Duration : NA
• Release Date : 28 July 2017

Synopsis : Shentimental is an upcoming Marathi movie slated to release on 28 July, 2017. The movie is directed by Sameer Patil and will feature Ashok Saraf, Upendra Limaye, Vikas Patil, Pallavi Patil, Suyog Gorhe as lead characters.

Shentimental Marathi Movie Photos, Poster :

Shentimental Marathi Movie Trailer :

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